Kamis, 25 Agustus 2011

[U205.Ebook] Download PDF Camera and Lens: The Creative Approach, by Ansel Adams

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Camera and Lens: The Creative Approach, by Ansel Adams

Fifth Printing, November 1975. Hardcover with dust jacket. Basic Photo One. Ansel Adams, Author. Printed in the USA. Morgan & Morgan, Inc., Publishers. Total 304 pages. Contains black and white illustrations. The boards are red cloth with gold lettering. The pages are clean, the spine is tight and straight. The dust jacket shows light shelfwear, no tearing. Approximate size, 7.25 x 10. "This enlarged version of the original Book One of the Basic Photo Series covers many essential facts, not only related to camera, lens, accessories, laboratory and laboratory equipment, but to the creative and functional concepts of photography." "Camera and Lens contains 147 fine photographic reproductions and 25 diagrams in 304 pages, with marginal reference page and illustration numbers inserted for the reader's convenience." A very good book for a very good price. See our picture including the dust jacket. Not an easy book to locate in most used bookstores. *4BC6

  • Sales Rank: #917661 in Books
  • Published on: 1970
  • Number of items: 1
  • Binding: Hardcover
  • 304 pages
Features
  • Fifth Printing, November 1975. Hardcover with dust jacket.
  • Basic Photo One. Ansel Adams, Author. Printed in the USA>
  • Morgan and Morgan, Inc., Publishers. Spine tight and straight.
  • Pages clean.Total 304 pages. Black and white illustrations.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent Book
By Paul Garland
All these years later most of the problems of photographers have not changed. The lighting, perspective, lens distortion, depth of field, etc. I'm pleasantly surprised at how much of this book seems absolutely up to date.

0 of 0 people found the following review helpful.
The Best
By Kintatsu
One of the best books on photography ever written. Mr. Adams reveals vast amounts of information and helps even the most basic beginner get up and running in short order!

0 of 0 people found the following review helpful.
Ansel Adams - it's great information! The language is a little dated
By Jay Doraiswami
It's written by the master, Ansel Adams - it's great information!
The language is a little dated, but the contents are very useful.

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Rabu, 24 Agustus 2011

[W128.Ebook] PDF Download The Body Reset Diet: Power Your Metabolism, Blast Fat, and Shed Pounds in Just 15 Days, by Harley Pasternak

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The Body Reset Diet: Power Your Metabolism, Blast Fat, and Shed Pounds in Just 15 Days, by Harley Pasternak

We've gone way overboard trying to beat the bulge. We've tried every diet out there―low-carb, low-fat, all-grapefruit―and spent hours toiling on treadmills and machines. The truth is, complicated diets and extreme cleanses promise nothing but short-term results, and overdoing it at the gym doesn't always help you lose weight (in fact, over-the-top workouts actually supercharge your appetite, often causing you to eat more than you should). It's time to hit the "reset button" and start over with a new perspective on weight loss.

Now, expert trainer and New York Times bestselling author Harley Pasternak offers the ultimate plan to reboot your system and set you on the right path to a thinner, healthier, happier life. The Body Reset Diet is so simple yet so effective that you'll immediately lose weight no matter how many times you've tried in the past. And you won't boomerang back either. You'll transition smoothly into a sustainable, nutrient-rich plan that keeps your metabolism primed to burn fat all day long―without ever setting foot in a gym!

This three-phase program focuses on the easiest, most effective way to slim down: blending. The 5-day jump start includes delicious, expertly crafted smoothies (White Peach Ginger, Apple Pie, and Pi�a Colada, to name a few), dips, snacks, and soups―all customizable to your preferences and dietary restrictions―that keep you satisfied while boosting your metabolism. Over the following 10 days, you'll reintroduce healthy combinations of your favorite foods along with the blended recipes to keep your metabolism humming, so you'll continue to scorch calories and shed pounds. The plan also explains how the easiest form of exercise―walking―along with light resistance training is all it takes to achieve the celebrity-worthy physique you've always wanted. No equipment necessary!

Whether you're looking to lose significant weight or just those last 5 pounds, The Body Reset Diet offers a proven program to hit the reset button, slim down, and get healthy in just 15 days―and stay that way for good!

  • Sales Rank: #307596 in Books
  • Published on: 2013-03-12
  • Released on: 2013-03-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.22" h x .94" w x 6.35" l, 1.07 pounds
  • Binding: Hardcover
  • 256 pages

Review

“I live for Harley's smoothies! They are so easy to make, help me feel full, and taste incredible!” ―Kim Kardashian

“The Body Reset Diet makes healthy eating easier. The smoothies are simple to prepare, taste great, and are the perfect breakfast or snack when I'm on the go.” ―Amanda Seyfried

“The Body Reset Diet proves that you don't have to suffer, starve, or make huge lifestyle changes to lose weight, feel great, and look fantastic!” ―Hilary Duff

“People think that celebrities to crazy things to lose weight, but Harley taught me that I don't have to. In The Body Reset Diet, he outlines simple concepts that are easy to follow even when you're working non-stop or traveling like me.” ―Maria Menounos

“I tried every diet out there and failed. Nothing was sustainable. Harley taught me how to get be in the best shape of my life by eating more and working out less!” ―Jordana Brewster

About the Author
HARLEY PASTE RNAK is the New York Times best-selling author of 5-Factor Diet, and was the co-host on ABC's The Revolution. He holds a Masters of Science in Exercise Physiology and Nutritional Sciences from the University of Toronto. He lives in New York City and Los Angeles.

Most helpful customer reviews

92 of 96 people found the following review helpful.
Reset Your Body!
By Cathy Juntura
I’m not the type of person who typically tries these so-called “fad diets,” but I’m at a point in my life where I can no longer be choosy. I came across the Body Reset Diet and the name alone captured my interest. I figured my body could use a little reset button. I also knew that metabolism was important for maintaining a healthy weight. So, I decided to give this a shot, and I’m glad I did. Exercise and I have never really gotten along, but if you use all the dietary principles outlined in the book, you don’t really have to do a lot of exercise. I literally go for walks around the neighborhood and I hardly even see them as “exercise.” Of course, the food is the primary engine for increasing your metabolic rate. Although it’s mostly liquefied (soups, smoothies, etc.), the food isn’t actually that bad.

I’ve paired the Body Reset Diet with a book called Simple Natural Cures: Cheap & Effective Remedies for Everyday Common Ailments by Kevin Richardson, and I love how both guides have given me a different outlook on life. Although most of Richardson’s book deals with cures for well-known maladies, it also comes with a nutritional guide at the end. I’ve used plenty of the cures in the book, and the nutritional guide has paired nicely with the Body Reset Diet. Both are designed to keep your metabolism moving and help you shed pounds and stay healthy. It’s certainly been enormously beneficial to have both of these books in my possession.

Using the Body Reset Diet and Simple Natural Cures, I was able to lose about 10 pounds in 15 days, which is unheard of. Having never really been on a conventional diet before, I wasn’t expecting much, but this has been a godsend. Perhaps my favorite aspect of the entire program is the fact that I don’t have to do any strenuous exercise. A little walking and a little weight training are all I really have to do. Of course, if I’m feeling sick or I have some other kind of illness, I always flip open Simple Natural Cures and it helps me continue with the Body Reset regimen with ease.

77 of 83 people found the following review helpful.
Definitely worth your time and money
By Katie
I love how simple this book and the program are to follow! I lost 5 lbs during the fifteen day program and am continuing my smoothie and walking regimen a week later. The concept behind the program makes sense and to see results so quickly is very encouraging. I am a lifelong athlete who, now in my thirties, never would have thought that merely walking 10,000+ steps a day would make such a difference. I also never realized that I wasn't already doing so! I lost 2" in my thighs and dropped a pant size. Yesterday was my first day back at the gym and I look forward to using Harley's program to help me drop another 5-10 lbs and improve my fitness level. I would (and have) recommend this book to anyone!

367 of 417 people found the following review helpful.
DID NOT WORK
By Katygirl
I am over 40 and purchased this book because my metabolism has s-l-o-w-e-d down and I've gained 20 lbs over the last 2 years due to stress and a job loss which led to emotional eating. I followed the diet religiously the first five days and was STARVING by day 5...after work I came home and ate some steel cut oatmeal and added a tablespoon each of raisins and pecans so I could go to sleep without stomach pains. On page 110, he asks (after the first five days) "...how many pounds have you lost? three? five? even more?" I lost ZERO. ZILCH. NADA. NOTHING.

I have tried to eat healthy for the last 10 years, so the smoothies for me were no surprise. I cannot afford a Vitamix, but purchased one of those "blast" appliances for Christmas and it mixes pretty well. I eat kale and/or spinach every day anyway, along with various other vegetables. I was not used to eating so much fruit, though, as the carbs are really high. I was willing to give the entire program a try.

I'm thinking the reviews which suggest weight loss come from people who are 1) young, with still active metabolisms (see the celebrity endorsements), or 2) folks with a lot more than 20 pounds to lose who are used to eating massive amounts of unhealthy food every day, and so eating nutritional food and less calories resulted in weight loss.

I am extremely disappointed; I was not looking to drop 10 pounds, but was looking, as advertised, for something that would "power my metabolism, blast fat, and shed pounds in just 15 days" (from the cover). This was a waste of money for me; I wish I could get my money back.

P.S. my comments were removed from the official website; apparently, the author does not appreciate anything less than complete endorsement. Too bad, as this appears he is only interested in the money he makes off of unsuspecting consumers.

FOLLOW UP:
I continued this program for a total of 3 weeks, and actually GAINED 1 1/2 pounds. I believe that is because of the increase in carbs due to the high amount of fruits suggested in the program. I am used to eating a lot more vegetables. This program did not kick start anything; I did not lose weight, did not have an increase in energy, and do not feel like my metabolism increased. Again, I wish I could receive a refund. :-(

See all 333 customer reviews...

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Selasa, 23 Agustus 2011

[T422.Ebook] PDF Ebook Dancing on the Graves of Your Past - Advanced Trauma Resolution, by Yvonne Martinez

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This is a second, revised edition, of this title in Yvonne Martinez' Dancing on the Graves of Your Past series, bringing awareness and healing insights into betrayal, soul bonding, addictions, discerning of spirits, and the 3 Heavenly realms and their significance in the healing process of trauma resolution.

  • Sales Rank: #3873048 in Books
  • Published on: 2013-01-03
  • Dimensions: 10.00" h x .21" w x 7.00" l,
  • Binding: Paperback
  • 92 pages

About the Author
Yvonne is Assistant Manager in Transformation Center, Bethel Church, Redding, CA, where she helps to oversee 30 counselors and their AOD program development. She is the founder/director of CARE-EDU and author of 9 books including Dancing on the Graves of Your Past book, workbook, advanced, group leader's guide, and I am a Woman-Healing the Feminine Spirit book and workbook.

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Senin, 22 Agustus 2011

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  • Sales Rank: #8654145 in Books
  • Published on: 2000-08-16
  • Binding: Paperback

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Kamis, 18 Agustus 2011

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Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Opening the door to an unlimited universe of sound, it engages spatialization as an integral aspect of composition and focuses on sound transformation as a core structural strategy. In this new domain, pitch occurs as a flowing and ephemeral substance that can be bent, modulated, or dissolved into noise. Similarly, time occurs not merely as a fixed duration subdivided by ratios, but as a plastic medium that can be generated, modulated, reversed, warped, scrambled, and granulated. Envelope and waveform undulations on all time scales interweave to generate form. The power of algorithmic methods amplify the capabilities of music technology. Taken together, these constitute game-changing possibilities.

This convergence of technical and aesthetic trends prompts the need for a new text focused on the opportunities of a sound oriented, multiscale approach to composition of electronic music. Sound oriented means a practice that takes place in the presence of sound. Multiscale means an approach that takes into account the perceptual and physical reality of multiple, interacting time scales-each of which can be composed. After more than a century of research and development, now is an appropriate moment to step back and reevaluate all that has changed under the ground of artistic practice.

Composing Electronic Music outlines a new theory of composition based on the toolkit of electronic music techniques. The theory consists of a framework of concepts and a vocabulary of terms describing musical materials, their transformation, and their organization. Central to this discourse is the notion of narrative structure in composition-how sounds are born, interact, transform, and die. It presents a guidebook: a tour of facts, history, commentary, opinions, and pointers to interesting ideas and new possibilities to consider and explore.

  • Sales Rank: #189618 in eBooks
  • Published on: 2015-06-17
  • Released on: 2015-06-17
  • Format: Kindle eBook

Review

"Clearly formulated starting points engage the reader in more challenging concepts and interesting lines of enquiry, contextualising the many perspectives surrounding each topic. This well researched treasure chest of quotes, references, and examples illustrates an insightful text which the author, himself with decades of experience as a transcontinental practitioner, has enriched with personal reflections that in turn allow the reader to do the same."-Natasha Barrett


Curtis Roads' book is a kind of prism that reevaluates the field of music composition in the light of the new technologies of the 21st century. He builds a thousand bridges between different approaches to attributes like pitch, rhythm, time scales, and even sonic narratives in order to help us to understand present music practices." -Horacio Vaggione, composer, Professor Emeritus, the University of Paris VIII


"A rich and enjoyable survey for the computer musician, ranging from the objects of compositional manipulation to the performative aspects of the shaping of sensory experience. This book will be of interest not only to the electronic music composer, but also to the performing musician, and the general reader interested in the process and principles of musical design." -Elaine Chew, Professor of Digital Media, Queen Mary University of London


"[I]f you want a great overview of just about any aspect of the field of electronic music, you'll find it in this book. Clearly written, with a minimum of mathematics, it's the kind of book you can refer to time and time again."--SoundBytes


About the Author

Curtis Roads is a composer and researcher who teaches electronic music composition at the University of California, Santa Barbara. He co-founded the International Computer Music Association and served as an editor/associate editor of Computer Music Journal for 23 years. The author of numerous books, his electronic music set POINT LINE CLOUD won the Award of Distinction at the 2002 Ars Electronica.

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3 of 3 people found the following review helpful.
A worthy contribution to the ways in which we hear, perceive, and talk about sound
By Saltillo
Overall, an excellent, clear, concise discussion of the aesthetic elements that drive most (but not all) manifestations of the use of electronic equipment to generate sounds in ways that are intended to be received as "art." Professor Roads tries to cover a lot of ground here: the history of the practices, audio examples (from the companion website) to hear what he is discussing, as well as general areas of intellectual, scientific and artistic concern for people engaged in these practices. For me, personally, the most important aspect of this book is its contribution to the formation of a fundamental vocabulary and set of discursive conventions for talking about electronic music. Let me clarify: I honestly believe that there is no "self-evident" art. We all need to be assimilated into discursive traditions concerning art and it is through that assimilation that we are taught how to perceive, understand and communicate our experience of art. One does not simply go to a Shostakovitch symphony and understand what one is hearing and why it is worth listening to. One does not simply walk into the Prado museum and see some old Hieronymous Bosch painting and know what is significant, relevant, valuable, and pleasing about it. In the case of electronic music practices, the challenge is profound. It is a practice that has emerged before we have developed a common set of discursive practices that allows your average listeners to appreciate it, talk about it, communicate what their hear or perceive and what opinions they may have about it. Most of us are left with some degree of residual "baggage" in our discourse - whether it is inherited from immersion in the traditions of European 12 tone orchestral or chamber composition, or the traditions of pop and rock music - that misguides our ability to make sense of what we hear when we attempt to listen to electronic music. Professor Roads has done a masterful job of helping to frame the discussion in this regard, giving us a set of "canonical" terms, concepts, and ways of describing what is happening to the sounds we hear that allows us to engage in a true praxis of participation in the aesthetic experience.

Unfortunately the book is not without its short-comings, most of which Professor Roads seems to be aware of, but which nonetheless detract somewhat from the book. The first and most thorough and pervasive is his fetishistic attachment to the concepts of "composition" and "composer." These concepts are useful of course. But I would argue they are far more useful in the realms of pre-electronic and non-electronic music. Within electronic music there are many ways in which the very concepts of "composition" and "composer" are undermined, subverted, and in some instances become irrelevant and meaningless. And yet for Professor Roads, an employee of the university as an institution, locked into a series of institutional norms and conventions that demand his acceptance, the idea that people are still "composers" engaged in "compositional practices" in the domain of electronic music remains natural and sacrosanct. I believe the idea of an aesthetic of electronic music must take into account the myriad ways in which this fetishized concept becomes "de-naturalized" by electronic musical practices.

Another shortcoming is Professor Roads's intentional and complete dismissal of the question of "live performance" as an element of electronic music praxis. He is painfully away of this short-coming, and offers an apology early on in the book. Unfortunately his apology is along the lines of "I know some people think live performance matters. Historically it did not in the early pioneer days. And my personal practice is so deeply tied to the idea of acting as a 'composer' making 'compositions' in a studio, that I have no experience with, familiarity with or authority to speak on the topic of live performance." I find this apology deeply dissatisfying. Its like someone writing a book about jazz and saying "I do not discuss improvisation in this book because I exclusively work as a composer and songwriter and therefore since I never actually play jazz, I have nothing to say about improvisation as an element of the jazz aesthetic." Well pardon me, but doesn't that miss one of the fundamental points of trying to describe the aesthetic of jazz in the first place? Likewise, much could - and should - be said about the unique ways in which performance is itself an element of the aesthetic. And it is not - as Professor Roads seems to believe - simply a matter of discussing the virtuosity of playing a synthesizer on a stage in real time. There are many layers to the question of performance that never even arise in the context of non-electronic or pre-electronic music, where there is a sharp conceptual and practical distinction between "composition" and "performance" (the latter being understood in the traditional paradigm as simply a "translation" of the pre-planned instructions into the actual creation of sound). If jazz improvisation taught us anything, it was that such a distinction is problematic. In the world of electronic music, things of course become even more interesting. For example, what should one make of - and is there anything to say for - forms of practice like when Swedish electronic music duo Minilogue recorded its 2013 album "Blooma" as a series of recorded "live performance" jam sessions from which they were able to extract enough particularly pleasing, note-worthy moments that could be compiled as "tracks" onto a CD? Some of the actual "live performance" footage as well as videos explaining the equipment set up - in general terms - was put onto youtube and profiled on the website of ableton, the makers of the software used by Minilogue to make the album. And more generally, what can be said about the phenomenon of the rise of the "DJ" or the emergence of "DJ" culture today? It is not uncommon to see artists like Julien Bayle share the stage at music festivals with performers with names like "Dillon Francis" and or Kaitlyn Aurelia Smith perform at Denmark's Roskilde Festival. And whither the DJ? I have been told - not sure if true - that the "Goa" music that eventually became known as "trance" was invented by DJs like Goa Gil at hippie parties in Goa India in the 1980s using techniques of tape splicing and tape looping - the exact same techniques pioneered by Pierre Schaeffer decades earlier in a workshop in France. At what point does that phenomenon become worthy of acknowledgement and discussion? At what point does the craftwork of a Sasha or John Digweed or Bassnectar or Skrillex become something that a true aesthetic of electronic music needs to recon with, whether for good or for bad?

This last comment brings me to the last and final shortcoming I found in Professor Roads's treatment: his sometimes unreasonably elitist dismissal of much of electronic music today as mere "pop music". This is problematic for several reasons. First it reflects another residual paradigm he has inherited from a pre-electronic/non-electronic musical aesthetic and his position as an academic professor of music: I am referring to the "high brow" / "low brow" mindset that pervades so many aspects of our contemporary cultural practices. Although he tries to defend his perspective early on in an end-note, Professor Roads basically takes the approach of focusing his discussion on performers and pieces of music that he deems worthy of discussion, and broadly dismisses much of what he ignores or passes over as "pop music" without specifying who or what he actually considers to be "pop music". It leaves one wondering: if he didn't mention a certain person or a certain work, is it because he just didn't have time or space to cover everything, or because he genuinely considers it beneath him to discuss such because it is mere "pop music" (which seems to be his preferred pejorative for anything he considers too low-brow for treatment in a work like this). Although this attitude only shows up sporadically, and by no means did it prevent me from being enormously impressed by this book, it happened often enough to become a mild on-going annoyance. And I don't say that just because I like "low brow" electronic music. On the contrary, I think Professor Roads is missing a major aspect of electronic music that is unique and significantly different from non-electronic, pre-electronic musical practices by allowing this elitist high-brow/low-brow mindset to color his perspective on electronic music itself. Namely this: the distance between the "high brow" of electronic music (that Professor Roads purports to speak for) and the "low brow" (of which he chooses not to speak) is much shorter than is the case in non-electronic/pre-electronic music and much shorter than Professor Roads believes. In writing a book on traditional European music theory, an author might be hard-pressed to avoid mentioning the name "Bach" anywhere in the text; but could quite easily get away with avoiding any mention of "Beatles" or "Lennon/McCartney". Such a schism is harder to sustain in speaking of electronic music. Let me be more specific: many, if not most, of the practices and techniques described in Chapter 4 (Creating Sound Materials), Chapter 5 (Sound Transformation), Chapter 6 (Processes of rhythm) chapter 7 (pitch in Electronic music), Chapter 8 (articulating space), chapter 9 (multiscale organization) and chapter 10 (sonic narrative) are routinely employed by creators of what Professor Roads would dismiss as "pop music". One can learn to hear and identify when listening to many of the most accomplished and serious producers of the many forms of dance-oriented electronic music examples of many of the topics emphasized in this book. The Table 5.1 on pages 132-134 of the book is essentially a list of the bread-and-butter tools of the trade for sound transformation in electronic music, whether for the lowest brow "pop music" maker or for those whom Professor Roads views and holds in esteem as his peers. This is not to say I question Professor Roads' choice of sound examples on his companion site. On the contrary - I think he has done a very good job of finding and hand-picking specific examples that very effectively illustrate the points he wants to make. I am simply saying, for someone who is interested in electronic music on its own terms, as a true "new aesthetic", there is far more being done that is interesting and of note and worthy of attention in the non-academic, allegedly "pop" side of things.

Overall, however, regardless of where one's preferences and tastes lean in listening to electronic music, what is truly to be admired by Professor Roads's work, is the way in which it frames basic issues and gives us all a common ground for listening to and talking about this phenomenon in a way that is a meaningful contribution to the advancement of defining such a "new aesthetic".

0 of 0 people found the following review helpful.
Definitive book on a new aesthetic of electronic music
By John_G
Dr. Roads, who teaches computer music research, obviously knows his stuff. The book is a well-written discussion of a new aesthetic of electronic music. It could become THE Text Book on the Subject. Text is written at college-level comprehension.

0 of 0 people found the following review helpful.
This book is a survey of aesthetics and techniques used ...
By William T. Bajzek
This book is a survey of aesthetics and techniques used in electronic music of all sorts. It's very academic and dry, but very thorough and informative.

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Kamis, 11 Agustus 2011

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CRYPT: Guardians' Reckoning: Book 5, by Andrew Hammond

The fifth in Andrew Hammond's fast-paced and action-packed CRYPT series, for fans of CHERUB, YOUNG BOND and Darren Shan.

Jud Lester is the Covert Response Youth Paranormal Team's star agent. When the police are unable to solve a crime, they call in CRYPT. But with four deadly and dangerous missions behind them, can Jud and the team get to the bottom of yet another mystery?

  • Sales Rank: #5968942 in Books
  • Brand: Hammond, Andrew
  • Published on: 2014-11-18
  • Released on: 2014-11-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x 1.00" w x 5.00" l,
  • Binding: Paperback
  • 352 pages

Review
The creeps, gore and tension, build towards a cracking showdown―BartsBookShelf.com

Gripping and exciting. There is horror, gore, ghosts and lots of things that go bump in the night. I loved it―Susankmann.com

I really enjoyed the mixture of action and horror―Bookzone4Boys.com

About the Author
Andrew Hammond began his working life in a cheap suit, sitting in the bowels of York Magistrates' Court, interviewing repeat offenders who always said they 'didn't do it'. After several years in the legal profession, Andrew re-trained as a school teacher. CRYPT is Andrew's first fictional series but he has written over forty educational textbooks for a host of publishers and he can spot the difference between an adjectival and adverbial phrase at fifty paces 'if only someone would ask him to'. He now leads a dual life: in term-time he is a respectable Headmaster of a school in Hampshire; in the holidays he escapes to his farm in Suffolk and writes gruesome horror stories. He lives with his wife, Andie, and their four angels - Henry, Nell, Ed and Katherine - none of whom are old enough yet to read 'Daddy's scary books'. But one day...

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0 of 0 people found the following review helpful.
Five Stars
By Nick Rodgers
One of the best by Andrew Hammond

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Sabtu, 06 Agustus 2011

[Q896.Ebook] Ebook , by the Numbers, by Sean Manseau

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Running, rowing, weightlifting, gymnastics—today’s innovative fitness programs draw from many different disciplines and combine them to create what may be termed Multimodal General Physical Preparedness (MMGPP) training. But the explosive growth in popularity of MMGPP training is sometimes problematic. Neophyte trainers can find themselves in over their heads when teaching complex skills to groups of varying ability, and athletes, lacking clear exercise progressions, may attempt movements they’re not ready for, leading to poor form and retarded progress.

That’s why I created BY THE NUMBERS. By the Numbers is a system for instructing MMGPP that emphasizes progression at every level. It builds exercises pose-by-pose, movement skill exercise-by-exercise, and tests movement skill with incremental increases in volume, load, and intensity. It’s effective whether you’re teaching yourself, or leading a class with dozens of athletes.

This 568 page manual includes...

  • 116 exercises organized into easy-to-teach progressions
  • Teaching scripts for every exercise, and strategies for fixing common faults
  • 1500+ photographs
  • 23 workouts analyzed and restructured for logical progression
  • A philosophy of MMGPP instruction, coaching tips, and more!

By the Numbers is all about creating the best moving general population gyms in the world. Want yours to be one of them? Start using BY THE NUMBERS today!

  • Sales Rank: #110947 in Books
  • Published on: 2015-08-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.29" w x 8.50" l, 2.83 pounds
  • Binding: Paperback
  • 572 pages

About the Author
Sean Manseau, CSCS, is the author of the MMGPP instruction manual "By the Numbers", as well as the short story collections "You are Not a Planet" and "The Fool's Daughter".

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7 of 7 people found the following review helpful.
Essential Reading
By brian zagata
By the Numbers (BTN) is a text every CrossFit coach should have. As a coach, the essence of what you do is teach movement. BTN outlines guiding principles of how to view and develop movement on the macro level. It then provides a concrete method to teach exercises through a series of idealized poses to athletes, fix movement errors and make your gym move better. This method works in a 1:1 setting or a class of 20. In a complex group setting with many ability levels, it allows you to coach day 1 athletes and 5 year PR'N veterans together, maintaining cohesiveness. This isn't another book outlining points of performance, it is a book about coaching CrossFit.

Sean's Movement Hierarchy allows everybody in the gym to get on the same page, coaches and athletes. Our On-Ramp Program is based off its progressions, the book gives me a central text for new coaches to study (instead of teaching it repeatedly). New day 1 athletes are exposed to the same drills and cues they will encounter in class, giving them consistency and repetition. Sean's Movement Hierarchy allows coaches to scale workouts consistently, based on the client's ability level, instead of just reducing the weight. You will find the best scale for the overhead squat, is not a light crappy overhead squat with PVC. For athletes, the hierarchy clearly outlines how to progress, answering the question how do I get from where I am to where I want to go. Athletes that make progress and remain uninjured, are long term clients.

Buy the book, try it, adapt it and make it yours.

6 of 6 people found the following review helpful.
Required Reading for the CrossFit Coach
By Douglas M Chapman
By The Numbers is a long overdue in the CrossFit community. Sean has compiled teaching methods and progressions and placed them into one place. Many veteran coaches have often discussed the need for such a book as this. This is the teaching operations manual for the affiliate. The book should be required reading for anyone who wants to be a CrossFit coach. Quality of coaching has been a large bogey man for the 11+ years I have been coaching CrossFit. One of the main reasons quality teaching methods have not been codified. Quality is often referenced as an amorphous concepts without definition. Here is a definition. Many of the progressions and concepts used in By The Numbers are what I have used to develop my athletes and teams who have qualified for the CrossFit Games. (40+ athletes and six teams)

By The Numbers is an indispensable tool to develop coaches.

Great work.

4 of 4 people found the following review helpful.
An absolute must read for anyone who coaches CrossFit!
By Carine Bray
By the Numbers (BTN) is an essential text for all those who coach CrossFit and also for athletes who want to get better at doing CrossFit. Being able to take someone who has never set foot in a gym before and effectively teach them how to move safely and effectively is a skill that is not developed overnight. Anyone can yell encouragement at their athletes and call themselves a "coach", but in the end being able to communicate clearly and get a new athlete moving in the correct manner takes skill. BTN provides a method that is repeatable and just works. No matter whether the class consists of 20 people or just 1, the methods shown in BTN work. If you are considering becoming a CrossFit coach then this book is the first thing you should reach for. Your level 1 cert is just the beginning and you need to learn repeatable, consistent ways of teaching movement. If you are already a CrossFit coach then this book is an absolute must for your professional library and you will no doubt reach for it again and again.

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Jumat, 05 Agustus 2011

[K623.Ebook] PDF Download iPhone 7: The Complete Beginners Guide To Mastering Your iPhone 7, Plus Helpful Tips And Tricks! (iPhone 7 User Guide, iPhone 7 Manual, iOS

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iPhone 7: The Complete Beginners Guide To Mastering Your iPhone 7, Plus Helpful Tips And Tricks! (iPhone 7 User Guide, iPhone 7 Manual, iOS

iPhone 7 The Complete Beginners Guide To Mastering Your iPhone 7, Plus Helpful Tips And Tricks! iPhone 7: The Complete Beginners Guide To Mastering Your iPhone 7, Plus Helpful Tips And Tricks! iPhone 7 delivers excellent performance with faster CPU. You can play your favorite games on iPhone 7 without worrying about heating issues. iPhone 7 is an original multi-touch device in the world for 3D touch and enable you to get the advantage of different apps. You can download numerous apps on your device to increase your productivity. With this iPhone 7, the Apple has introduced sapphire glass design and good touch screen. It has a built-in scratch resistor to protect your smartphone from lots of external conditions. The sapphire glass is scratch proof and unbreakable. A new person may find it difficult to understand the features of iPhone 7. This book is designed for your assistance. Here is a preview of what you'll learn:

  • Getting Started with iPhone 7
  • Understand iOS 10 of iPhone 7
  • Quick Things to Do with Your iPhone 7
  • Helpful Tips and Tricks for iPhone 7
  • Explore Numerous Features and Apps for iPhone 7
  • Troubleshoot Problems with iPhone 7

  • Sales Rank: #849851 in Books
  • Published on: 2017-01-16
  • Original language: English
  • Dimensions: 9.00" h x .8" w x 6.00" l,
  • Binding: Paperback
  • 34 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
This is the best guide to learn to use new iPhone 7
By Finn Watson
This is the best guide to learn to use new iPhone 7. I just converted from Android to iOS having some difficulty in setting up accounts and other things, but this guide gives so much useful info in a very good manner that I was able to understand my new phone easily.

1 of 1 people found the following review helpful.
Good average book
By Eric Cameron
No doubt this is the fastest phone in the market and it also has the features to meet its standard. There is explanation about many features and also what you should do and what you should avoid to have a better experience. To sum it up, this book is on good average.

0 of 0 people found the following review helpful.
Don't bother with this book
By Dcfre
this book is the worst I have ever received from Amazon.com. It is mostly unintelligible, written by someone with very little grasp of the English language. Moreover, some of the information relates to Android products and the reader is told to download iPhone apps from Google! What a waste of money! Does Amazon have no quality controls?

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iPhone 7: The Complete Beginners Guide To Mastering Your iPhone 7, Plus Helpful Tips And Tricks! (iPhone 7 User Guide, iPhone 7 Manual, iOS PDF
iPhone 7: The Complete Beginners Guide To Mastering Your iPhone 7, Plus Helpful Tips And Tricks! (iPhone 7 User Guide, iPhone 7 Manual, iOS PDF

Rabu, 03 Agustus 2011

[J688.Ebook] Download Mastering Advanced Rhinoplasty, by Wolfgang Gubisch

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Mastering Advanced Rhinoplasty, by Wolfgang Gubisch

This clearly structured and beautifully illustrated atlas, which includes numerous high-quality pre-, intra-, and postoperative pictures, documents the techniques employed in order to deal with the problems typically encountered following a previous failed rhinoplasty. Each chapter also contains a description of the authors’ standard procedure for treating the problem in question and describes the precautions to be taken in order to avoid similar failures. The techniques covered include extracorporeal and total septal reconstruction, reconstruction of the over resected tip, the sliding technique for reduction of the over projected tip, the use of alloplastic fascia or alternatively free diced cartilage for camouflaging or volume augmentation, and saddle nose correction. Mastering Advanced Rhinoplasty will be of value to both novice and experienced practitioners seeking to achieve the best results for patients who frequently present with challenging problems.

  • Sales Rank: #1138351 in Books
  • Published on: 2016-12-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .0" w x 8.30" l, .0 pounds
  • Binding: Hardcover
  • 928 pages

From the Back Cover

This clearly structured and beautifully illustrated atlas, which includes numerous high-quality pre-, intra-, and postoperative pictures, documents the techniques employed in order to deal with the problems typically encountered following a previous failed rhinoplasty. Each chapter also contains a description of the authors’ standard procedure for treating the problem in question and describes the precautions to be taken in order to avoid similar failures. The techniques covered include extracorporeal and total septal reconstruction, reconstruction of the over resected tip, the sliding technique for reduction of the over projected tip, the use of alloplastic fascia or alternatively free diced cartilage for camouflaging or volume augmentation, and saddle nose correction. Mastering Advanced Rhinoplasty will be of value to both novice and experienced practitioners seeking to achieve the best results for patients who frequently present with challenging problems.

About the Author

Professor Wolfgang Gubisch is Medical Director of the Clinic for Facial Plastic Surgery at the Center for Plastic Surgery, Marienhospital Stuttgart. Prof. Gubisch is double board certified in Plastic and Aesthetic Surgery and in Ear, Nose and Throat (ENT), and his interests have long included functional/aesthetic nasal surgery. In June 2010 Prof. Gubisch was elected President of the German Association of Aesthetic Plastic Surgeons (Vereinigung der Deutschen �sthetisch-Plastischen Chirurgen). He is also current President of the Rhinoplasty Society of Europe and chairman of the Expert Committee of German Nasal Surgeons. Prof. Gubisch has been elected an honorary member of several renowned societies, including the Association of Plastic and Reconstructive Surgeons of Southern Africa, the Australian Society of Plastic Surgeons and the British Association of Aesthetic Plastic Surgeons. Each year he is responsible for organizing the Stuttgart Advanced Course for Functional and Aesthetic Rhinopasty, recognized to be among the best courses in the field worldwide. In 1994 he was awarded the Udhi Devi Sood Memorial Gold Medal by the All India Rhinology Society for special services in the field of nasal surgery. Prof. Gubisch has published more than 80 articles in peer-reviewed medical journals as well as many book chapters.

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Selasa, 02 Agustus 2011

[C611.Ebook] Download Ultimate Christmas: 100 Seasonal Favorites: Easy PianoFrom Hal Leonard

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Ultimate Christmas: 100 Seasonal Favorites: Easy PianoFrom Hal Leonard

(Easy Piano Songbook). The ultimate collection of Christmas classics just got better with this third edition that includes even more of your favorites. 100 songs, including: Auld Lang Syne * Bring a Torch, Jeanette, Isabella * Carol of the Bells * The Chipmunk Song * Christmas Time Is Here * Do You Hear What I Hear * The First Noel * Gesu Bambino * Happy Holiday * Happy Xmas (War Is Over) * Hymne * I've Got My Love to Keep Me Warm * Jesu, Joy of Man's Desiring * Jingle-Bell Rock * A Marshmallow World * Merry Christmas, Darling * My Favorite Things * The Night Before Christmas Song * Rudolph the Red-Nosed Reindeer * Silver and Gold * Silver Bells * The Star Carol * Suzy Snowflake * What Child Is This? * Wonderful Christmastime * The Wonderful World of Christmas * and more.

  • Sales Rank: #177177 in Books
  • Brand: Hal Leonard
  • Model: 241003
  • Published on: 1984-10-01
  • Released on: 1984-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .67" w x 9.00" l, 2.00 pounds
  • Binding: Paperback
  • 272 pages
Features
  • cf-type-piano-vocal-guitar-song-book, cf-vendor-hal-leonard, Tag_Holiday

Most helpful customer reviews

66 of 66 people found the following review helpful.
In the Key of Perfect
By Owl
Surely there are hundreds of Christmas carol books. I've encountered perhaps 70 to 100 of 'em. A few, such as the carols in the legendary "Fireside Folk Song Book" are splendid: easy to play yet with musically attractive arrangements, printed so the pianist isn't squinting, and in a singable key. I was looking for a gift for a beginner, though. and, through luck and the helpfulness of Amazon custom-reviews, I found it!

The "Ultimate Christmas: 100 Easy Seasonal Favorites" is an all-time best, in my experience.

Among its virtues: large print and excellent contrast for visibility, arrangements simple enough for the first year pianist yet easy to augment for the more experienced, choice of key signatures where many voices sound good, neither too high nor too low, and, mirable dictu---easy guitar chords.

Further, only two keys are used throughout so the book is gloriously free of the bane of enthusiastic but not highly skilled friends-and-family singing: a different key signature for just about every song. Piano, guitar, and voices sound wonderful in these arrangements without rehearsals, first time around.

True, highly skilled, professional musicians may wish for more complex, elaborated arrangements with more harmony indicated for the voices.

If, however, you are looking for a family-friendly book of carols for piano, guitar, voices----this may be it!

Now let me praise the selection: almost all the traditional songs are here, as well as the newer classics from movies and popular music. The price is excellent for the completeness, the musicial choices, and the quality of paper and binding. I'll go to this title again (and probably again) as gifts for first-second year pianists and guitar players, and I'll get another copy too, for myself, arranged in the key of perfect.

60 of 61 people found the following review helpful.
Good Enough for Me
By FnS
I'm an older player/learner who practices in spurts around many activities. I wanted something that would not get me too frustrated, but would also allow me to have some sense of accomplishment. I'm not a good pianist, play for myself and not others, and cannot be a good judge of the musical accuracy or sophistication of this music. I've read that this editor in other easy piano books makes mistakes with notation. Better musicians have complained that the editor sometimes makes original tunes seem unrecognizable. To my weak ears, this collection and its arrangements are just about right. I'm also very pleased with the traditional selections--and the price was right.

27 of 28 people found the following review helpful.
A must have
By A Customer
This is an awesome collection of Christmas music for all ages. Mostly easy arrangement and a few challenging ones.

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