Kamis, 27 Februari 2014

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China Rich Girlfriend, by Kevin Kwan

It’s the eve of Rachel Chu’s wedding, and she should be over the moon. She has a flawless Asscher-cut diamond, a wedding dress she loves, and a fianc� willing to thwart his meddling relatives and give up one of the biggest fortunes in Asia in order to marry her. Still, Rachel mourns the fact that her birthfather, a man she never knew, won’t be there to walk her down the aisle.�

Then a chance accident reveals his identity. Suddenly, Rachel is drawn into a dizzying world of Shanghai splendor, a world where people attend church in a penthouse, where exotic cars race down the boulevard, and where people aren’t just crazy rich … they’re China rich.

  • Sales Rank: #11757 in Books
  • Published on: 2016-05-31
  • Released on: 2016-05-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.00" w x 5.20" l, .76 pounds
  • Binding: Paperback
  • 496 pages

Review

“Snarky. . . Wicked. . . Funny.” —Janet Maslin, The New York Times


“Deliciously fun. . . . Satire at its best.” —People


“Scandalous.” —Town and Country�


“Makes Downton Abbey�look more like�Downton Arrivistes. . . . Ingenious.” —The Daily Beast�


“Frothy.”—Hanya Yanigahara, Conde Nast Traveler�


“Lifestyles of the rich and famous, China-style” —The Houston Chronicle


“This year's best beach reading. . . . As frothy as the egg whites on the sort of cocktail you should drink while reading Kwan’s books. . . . Highly entertaining.” —The Washington Post


“A crazy parade through the lives of the aspirational elite.” —Los Angeles Times


“The equivalent of a Bubble Tea concoction laced with Henry James extracts and Jackie Collins sprinkles. . . . In the same way that Edith Wharton catalogued the Gilded Age via novels like�The Age of Innocence, Kwan—in his novels—is doing his bit for a China that now has the second-highest number of millionaires in the world.” —The Daily Beast�


“A taste of Asian opulence served with skewering humor.” —The Daily News


“Kwan’s characters are powerful and attractive, living in the lap of luxury.” —NPR, “All Things Considered”


“Very enjoyable. . . . Just as funny as Crazy Rich Asians, this globe-spanning tale of excess includes enough snootiness and class snobbery to fill a multitude of designer handbags.” —Minneapolis Star Tribune


�“With the same hilarity . . . as the first novel, China Rich Girlfriend will not disappoint both fans and newcomers to the series.” —Town and Country�


�“An equally good-natured, catty-as-hell sequel. . . . Part Oscar Wilde, part Judith Krantz, part Arthur Frommer . . . Hilarious . . . Over-the-top and hard to stop.” —Kirkus Reviews


“China Rich Girlfriend is the most fun I’ve had reading a book in quite some time. . . . A jam-packed, lively story.” —Amy Scribner, BookPage�


“A heady taste of vicarious escapism. . . . Read�China Rich Girlfriend�for the exuberant spectacle of zippy vintage cars, gossipy matriarchs-who-lunch and reckless profligacy but read it also for its very engaging narrative about people like us.” —Thuy On, The Sydney Morning Herald�


“[An] amusing, whirlwind novel.” —The Miami Herald


“Like�Gossip Girl�and�Dynasty�and the royal family of England all at the same time. Kwan’s characters behave hideously—and it’s hilarious.”�—Elaine�“Lainey”�Lui,�Flare


“Will have readers clamoring for more.” —Library Journal (starred review)


“An engaging page-turner with a multi-layered, inventive narrative. Kwan has clearly taken a few lessons from one of America’s great social satirists—think Tom Wolfe set loose on the wealthiest enclaves of Confucian Asia.” —South China Morning Post


About the Author
Kevin Kwan is the author of�Crazy Rich Asians,�the international bestseller now being adapted into a major motion picture.��Born and raised in Singapore, Kwan has called Manhattan home for the past two decades but still craves pineapple tarts and a decent plate of Hokkien mee.

Please visit�www.kevinkwanbooks.com

Excerpt. � Reprinted by permission. All rights reserved.
1

The Mandarin

Hong Kong, January 25, 2013

In early 2012, a brother and sister clearing out their late mother’s attic in the London neighborhood of Hampstead discovered what appeared to be a cluster of old Chinese scrolls at the bottom of a steamer trunk. By chance, the sister had a friend who worked at Christie’s, so she dropped them off--in four Sainsbury’s grocery sacks--at the auctioneer’s salesroom on Old Brompton Road, hoping they might “take a look and tell us if they’re worth anything.”

When the senior specialist of Chinese Classical Paintings opened up one of the silk scrolls, he nearly went into cardiac arrest. Unfurled before him was an image so remarkably rendered, it immediately reminded him of a set of hanging scroll paintings long thought to be destroyed. Could this be The Palace of Eighteen Perfections? The artwork, created by the Qing dynasty artist Yuan Jiang in 1693, was believed to have been secretly removed from China during the Second Opium War in 1860, when many of the royal palaces were ransacked, and lost forever.

As staffers scurried around unrolling the scrolls, they discovered twenty-four pieces, each almost seven feet tall and in immaculate condition. Placed side by side, they spanned thirty-seven feet, almost filling the floor space of two workrooms. At last, the senior specialist could confirm that this was undoubtedly the mythical work described in all the classical Chinese texts he had spent much of his career studying.

The Palace of Eighteen Perfections was an opulent eighth-century imperial retreat in the mountains north of modern-day Xi’an. It was said to be one of the most magnificent royal residences ever built, with grounds so vast that one had to travel between the halls on horseback. On these ancient silk scrolls, the intricate pavilions, courtyards, and gardens that meandered through a dreamlike blue-and-green mountain landscape were painted in colors so vibrantly preserved, they seemed almost electric in their iridescence.

The auction-house staff stood over the exquisite masterpiece in awed silence. A find of this caliber was like discovering a long-hidden painting by da Vinci or Vermeer. When the international director of Asian Art rushed in to see them, he began to feel faint and forced himself to take a few steps back for fear that he might fall onto the delicate artwork. Choking back his tears, the director finally said, “Call Fran�ois in Hong Kong. Tell him to get Oliver T’sien on the next flight to London.”1

The director then declared, “We need to give these beauties the grand tour. We’re going to start out with an exhibition in Geneva, then London, then at our Rockefeller Center showroom in New York. Let’s give the world’s top collectors a chance to see it. Only then will we take it to Hong Kong, and sell it right before the Chinese New Year. By then the Chinese should be frothing at the mouth in anticipation.”

Which is precisely how Corinna Ko-Tung came to be sitting in the Clipper Lounge of the Mandarin Hotel in Hong Kong a year later, impatiently awaiting the arrival of Lester and Valerie Liu. Her richly embossed business card listed her as an “art consultant,” but for a few select clients, she was a great deal more than that. Corinna was born to one of Hong Kong’s most pedigreed families, and she secretly parlayed her extensive connections into a very profitable sideline. For clients like the Lius, Corinna did everything from refining the art on their walls to the clothes on their back--all in service of getting them memberships at the most elite clubs, their names onto the right invitation lists, and their children into the city’s top schools. In short, she was a special consultant for social climbers.

Corinna spotted the Lius as they ascended the short flight of stairs up to the mezzanine lounge overlooking the lobby. The couple cut quite a striking picture, and she had to pat herself on the back for this. The first time Corinna met the Lius, they were both in head-to-toe Prada. To these new arrivals from Guangdong, it was the height of sophistication, but to Corinna, it just screamed clueless Mainland money. Thanks to her handiwork, Lester entered the Clipper Lounge looking particularly dapper in a bespoke three-piece suit from Kilgour of Savile Row, and Valerie was chicly clad in a silvery Persian lamb parka from J. Mendel, appropriately sized black pearls, and dove-gray suede Lanvin ankle boots. But there was something a little off about her outfit--the handbag was a mistake. The glossy ombre-dyed reptile-skin bag obviously came from some nearly extinct species, but it reminded Corinna of the sort of handbag only a mistress would carry. She made a mental note to drop a hint at the appropriate moment.

Valerie arrived at the table apologizing profusely. “I’m sorry we’re late. Our chauffeur mistakenly took us to the Landmark Mandarin Oriental instead of this one.”

“Not a problem,” Corinna replied graciously. Tardiness was one of her pet peeves, but with the kind of retainer the Lius were paying her, she wasn’t about to complain.

“I’m surprised you wanted to meet here. Don’t you think the tearoom at the Four Seasons is much nicer?” Valerie asked.

“Or even the Peninsula,” Lester chimed in, casting a dismissive eye at the rectangular 1970s-era chandeliers cascading from the ceiling of the lobby.

“The Peninsula gets too many tourists, and the Four Seasons is where all the new people go. The Mandarin is where proper Hong Kong families have been coming to tea for generations. My grandmother Lady Ko-Tung used to bring me here at least once a month when I was a girl,” Corinna patiently explained, adding, “You must also leave out the ‘Oriental’--we locals simply call it ‘the Mandarin.’ ”

“Oh,” Valerie replied, feeling a little chastised. She glanced around, taking in the subdued oak-paneled walls and armchairs with just the perfect amount of sag in the seat cushions, her eyes suddenly widening. Leaning closer in, she whispered excitedly to Corinna, “Do you see who’s over there? Isn’t that Fiona Tung-Cheng with her mother-in-law, Alexandra Cheng, having tea with the Ladoories?”

“Who are they?” Lester asked, a little too loudly.

Valerie nervously shushed her husband in Mandarin. “Don’t stare--I’ll tell you later!”

Corinna smiled in approval. That Valerie was a quick study. The Lius were relatively new clients, but they were Corinna’s favorite type of clients--Red Royals, she called them. Unlike fresh-off-the-boat Mainlander millionaires, these heirs of China’s ruling class--known in China as fuerdai, or “second-generation-rich”--had good manners and good teeth, and had never known the deprivation of their parents’ generation. The tragedies of the Great Leap Forward and the Cultural Revolution were ancient history as far as they were concerned. Obscene gobs of money had come easily to them, so obscene gobs they were ready to part with.

Lester’s family controlled one of China’s largest insurance companies, and he met Valerie, the Shanghai-born daughter of an anesthesiologist, when they were both at the University of Sydney. With an ever-growing fortune and ever-refining taste, this thirtysomething couple was ambitiously striving to make their mark on the power scene in Asia. With homes in London, Shanghai, Sydney, and New York, and a newly constructed house that resembled a cruise liner in Hong Kong’s Deep Water Bay, they were anxiously filling the walls with museum-quality art in the hopes that Hong Kong Tattle might soon do a feature.

Lester got right down to business. “So how much do you think these scrolls will end up going for?”

“Well, that’s what I wanted to discuss with you. I know you said you were prepared to go up to fifty million, but I have a feeling we will break all records tonight. Would you be prepared to go up to seventy-five?” Corinna said carefully, testing the waters.

Lester didn’t flinch. He reached for one of the sausage puffs on the silver cake stand and said, “Are you sure it’s worth that much?”

“Mr. Liu, this is the single most important work of Chinese art to ever come on the market. It’s a once-in-a-lifetime opportunity--”

“It’s going to look so good in the rotunda!” Valerie couldn’t help blurting out. “We’re going to hang it so that the whole painting is panoramic, and I’m having the walls on the first and second floors repainted to exactly match the colors. I love those turquoise tones . . .”

Corinna ignored Valerie’s chatter and continued. “Aside from the artwork itself, the value of owning it will be incalculable. Think how much it will raise your profile--your family’s profile--once it’s known that you acquired it. You will have beat out the top collectors in the world. I’m told that representatives for the Bins, the Wangs, and the Kuoks are bidding. And the Huangs just flew in from Taipei--interesting timing, isn’t it? I also have it on good authority that Colin and Araminta Khoo sent a special team of curators from the National Palace Museum in Taipei to examine the piece last week.”

“Ooh--Araminta Khoo. She’s so beautiful and chic! I couldn’t stop reading about that incredible wedding of hers. Do you know her?” Valerie asked.

“I was at the wedding,” Corinna said simply.

Valerie shook her head in wonder. She tried to imagine the middle-aged, mousy-looking Corinna, who always wore the same three Giorgio Armani pantsuits, at the most glamorous event ever to hit Asia. Some people had all the luck, being born into the right family.

Corinna continued her lecture. “So let me give you the drill. The auction tonight begins at eight sharp, and I have secured us entry to the Christie’s VVIP skybox. That is where you will be throughout the auction. I will be downstairs on the auction room floor, bidding exclusively for you.”

“We won’t be with you?” Valerie was confused.

“No, no. You’ll be in this special lounge where you can look down onto all the action.”

“But won’t it be more exciting to be down on the floor itself?” Valerie pressed on.

Corinna shook her head. “Trust me, you don’t want to be seen on the auction floor. The VVIP skybox is where you want to be. That’s where all the top collectors will be, and I know you will enjoy that--”

“Wait a minute,” Lester interrupted. “What’s the point of buying the damn thing then? How will anyone know we made the winning bid?”

“First of all, you will be seen by everyone at the VVIP skybox, so people will already suspect, and first thing tomorrow, I will have one of my sources at the South China Morning Post issue an unconfirmed report that Mr. and Mrs. Lester Liu of the Harmony Insurance family acquired the painting. Trust me, that’s the classy way to do it. You want people to speculate. You want to be that unconfirmed report.”

“Ooh, you’re so brilliant, Corinna!” Valerie squealed in excitement.

“But if it’s ‘unconfirmed,’ how will people know?” Lester was still confused.

“Hiyah, slow tortoise, everyone will see the painting when we throw our housewarming party next month,” Valerie chastised her husband, smacking him on the knee. “They will confirm it with their own envious eyes!”



The Hong Kong Convention and Exhibition Centre, situated right on the harbor in Wan Chai, boasted overlapping curved roofs that resembled a gigantic manta ray gliding through the water. That same evening, a parade of starlets, boldface-name socialites, low-level billionaires, and the sort of people Corinna Ko-Tung deemed to be inconsequential paraded through the Grand Hall, vying for the most visible seats at the auction of the century, while the back of the room was packed to the rafters with the international press and onlookers. Upstairs in the plush VVIP skybox, Valerie and Lester were in seventh heaven as they rubbed elbows with the serious-money crowd over Laurent-Perrier champagne and canapes prepared by Cafe Gray.

When at last the auctioneer stepped up to the polished wood podium, the lights in the hall began to dim. A massive gold latticework screen ran along the wall facing the stage, and at the appointed moment, the screen began to part, revealing the hanging scrolls in all their glory. Brilliantly enhanced by the state-of-the-art lighting system, they almost appeared to glow from within. The crowd gasped, and when the lights came up again, the auctioneer promptly began the session without any fuss: “An exceedingly rare set of twenty-four hanging scrolls from the Qing dynasty, ink and color on silk, depicting the Palace of Eighteen Perfections, by Yuan Jiang. Inscribed by the artist, and dated 1693. Shall we have an opening bid of--one million?”

Valerie could feel the adrenaline coursing through her veins as she saw Corinna raise her blue-numbered paddle to volley the first bid. A flurry of paddles began popping up around the room, and the price began its stratospheric climb. Five million. Ten million. Twelve million. Fifteen million. Twenty million. Within a matter of minutes, the bid was at forty million. Lester leaned forward in his chair, analyzing the action on the auction-room floor like some complex chess match, and Valerie clawed her nails into his shoulder repeatedly in high anticipation.

When the bidding hit sixty million, Lester’s phone rang. It was Corinna sounding frantic. “Suey doh sei,2 it’s going up too fast! We’re going to pass your seventy-five-million limit in no time. Do you want to keep bidding?”

Lester breathed in deeply. Any expenditure over fifty million would surely be noticed by his father’s bean counters, and there would be some explaining to do. “Keep going till I stop you,” he ordered.

Valerie’s head was spinning in excitement. They were so close. Imagine, soon she would own something that even Araminta Khoo coveted! At eighty million, the bidding finally slowed down. No more paddles in the room were raised with the exception of Corinna’s, and it seemed like there were only two or three telephone buyers remaining to bid against the Lius. The price was going up only in increments of half a million, and Lester closed his eyes, praying he would get it for under ninety million. It was worth it. It was worth the scolding he would get from his father. He would make his plea that he had bought the family a billion dollars’ worth of good publicity.

Suddenly there came a commotion from the back of the auction room. Murmurs could be heard as the standing-room-only crowd began to give way. Even in a room packed with celebrities dressed to the nines, a hush came over the space as a strikingly attractive Chinese woman with jet-black hair, powdered white skin, and crimson lips, dramatically dressed in a black velvet off-the-shoulder gown, emerged from the crowd. Flanked by two snow-white Russian wolfhounds on long diamond leashes, the lady began to walk slowly up the central aisle as every head swiveled toward the sensational sight.

Clearing his throat discreetly into the mic, the auctioneer tried to regain the attention of the room. “I have eighty-five point five million, who will say eighty-six?”

1 Oliver T’sien--one of Christie’s most highly valued deputy chairmen--has long-standing relationships with many of the world’s top collectors. (Being related to practically every important family in Asia didn’t hurt.)

2 Cantonese for “So rotten I could die!”

Most helpful customer reviews

1 of 1 people found the following review helpful.
A big disappointment
By Richard C. Reynolds
Author Kevin Kwan returns with characters from his earlier novel, Crazy Rich Asians: Nicholas Young and Rachel Chu who are about to get married, Nick’s cousin Astrid Leong, and Hong Kong soap opera star Kitty Pong who is now married to billionaire Bernard Tai.
The plot has us bouncing around to various locations all over the world, a device which shows us how wealthy everyone is with their own jumbo jets, magnificent mansions, closets full of designer clothes, oodles of expensive jewels, and net worth in the billions of dollars. Kwan devotes plenty of ink to these trappings of wealth but unfortunately skimps on his characters and the story line. It gets rather tiresome after reading page after page of prose that resembles an inventory of valuables for an insurance policy.
A big disappointment after enjoying Kwan’s earlier book.

1 of 1 people found the following review helpful.
save yourself the time, money, and disappointment
By JW
Vapid, and not even in an entertaining sort of way. The filler in this book - the various examples of ostentatious spending that serve no other purpose than to shock and awe - is copious. I felt that there was little character development. I didn't read the first book for a life-changing experience, nor did I read this second book for that reason, either. However, the first book was, at least, entertaining, with a fun plot that left me wondering at the end of each chapter.

I regret reading every page of this book, and in retrospect, would have skipped entire sections of pointless exposition and explanation.

3 of 3 people found the following review helpful.
A Great Second Act to Crazy Rich Asians
By M. Picardi
A great second act to Crazy Rich Asians. Kwan does a delightful job continuing to give us an inside look into the lives of China's upper- upper echelon. The characters are at times formidable, detestable, lovable, repulsive, and downright hilarious. Throughout I found myself continuing to cheer for Rachel and Nick as they embark on the next leg of their journey through the upper levels of Chinese society. Great for voyeuristic readers like yours truly.

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Senin, 17 Februari 2014

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Cavity Expansion Methods in Geomechanics, by Hai-Sui Yu

Cavity expansion theory is a simple theory that has found many applications in geotechnical engineering. In particular, it has been used widely to analyse problems relating to deep foundations, in-situ testing, underground excavation and tunnelling, and wellbore instability. Although much research has been carried out in this field, all the major findings are reported in the form of reports and articles published in technical journals and conference proceedings. To facilitate applications and further development of cavity expansion theory, there is a need for the geotechnical community to have a single volume presentation of cavity expansion theory and its applications in solid and rock mechanics. This book is the first attempt to summarize and present, in one volume, the major developments achieved to date in the field of cavity expansion theory and its applications in geomechanics.
Audience: Although it is intended primarily as a reference book for civil, mining, and petroleum engineers who are interested in cavity expansion methods, the solutions presented in the book will also be of interest to students and researchers in the fields of applied mechanics and mechanical engineering.

  • Sales Rank: #4070606 in eBooks
  • Published on: 2010-11-10
  • Released on: 1899-12-31
  • Format: Kindle eBook

Review
`...presents a rigorous up-to-date summary of mechanical analyses of cavity closure as well as expansion mechanics in soil and in rock. Material .... is assembled and integrated in a concise clear text. [...] One of the great strengths of the book is the exceptionally well presentented solution schemes for the more complicated solutions given. [...] A great value also are the excellent summaries at the end of each chapter. They provide a concise overview of the material that has been presented. [...] The greatest strength of the book is its emphasis on rigorous solutions, i.e. solutions that meet all mechanical and mathematical requirements. [...] In sum, an outstanding contribution to the geomechanics literature. The author integrates eclectic source materials into comprehensive logically developed and rationally based analyses methods for several groups of important geotechnical applications.'
Mathematical Geology, 34:4 (2002)

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Sabtu, 08 Februari 2014

[V756.Ebook] PDF Download Shibori Designs & Techniques, by Mandy Southan

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Shibori Designs & Techniques, by Mandy Southan

Shibori Designs & Techniques, by Mandy Southan



Shibori Designs & Techniques, by Mandy Southan

PDF Download Shibori Designs & Techniques, by Mandy Southan

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Shibori Designs & Techniques, by Mandy Southan

Mandy Southan takes the art of Shibori, in which fabric is bound, clamped or stitched before dyeing, and goes beyond the traditional blue and white to create fabrics in a fabulous array of colours, patterns and textures. Clear step by step photographs and instructions demonstrate how to use acid dyes and cold water reactive dyes in a variety of creative ways. Mandy then demonstrates shibori techniques such as binding, hand painting, capping, stitching, folding and clamping, pole winding and pole wrapping can be used to create truly wonderful dyed fabrics.

  • Sales Rank: #29750 in Books
  • Brand: Search Press
  • Published on: 2009-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .40" w x 8.00" l, .85 pounds
  • Binding: Paperback
  • 96 pages

Review

"Another stunning book from Search Press!"� —Guild of Silk Painters



"A superb techniques book that fully explores the wonderful art of shibori."� —karenplatt.co.uk



"A great book for those who love bold and exotic fabrics."� —Sewing World



"Step-by-step color photography and instructions demonstrate how to use acid dyes and cold water reactive dyes and various techniques."� —Sew Today

About the Author

Mandy Southan teaches art, silk painting, and design at Hastings College and is a founding member and chairperson of the Guild of Silk Painters. She is the author of Beginner’s Guide to Silk Painting and Painting Flowers on Silk.

Most helpful customer reviews

41 of 41 people found the following review helpful.
Another book on Shibori techniques
By M. Treiber
I've been working with fabric manipulation, including shibori dyeing techniques, for years. Shibori Designs & Techniques by Mandy Southan has wonderful pictures and clear, easy-for-beginners explanations of a wide range of traditional shibori techniques. I've been recommending it to other fabric artists.

31 of 31 people found the following review helpful.
Good Tools for the Beginner
By E. Smith
I was first drawn to Shibori from a book that jumped off the shelf at me in an art supply store a few years ago. I didn't know how I could actually learn to do them and circumstances were such that I didn't follow up on beginning, but deep down I knew I would eventually begin working with these techniques. This book has offered that opening - pictures aplenty with instructions under each. I'm visually oriented, and this helped alot! Her directions are primarily for the beginner, and have me wanting to advance. I'm glad I bought the book.

27 of 28 people found the following review helpful.
trys too hard to be too many things in too few pages
By ninadora
I'm coming from the point of someone who knows a bit about shibori, has some experience dyeing on various fibers using various techniques. I have a degree in textile design so I probably know a bit more than your average joe.

This is a decent overview of shibori. It covers various types, and does a brief section on each technique and shows pictures of the various steps. The photographs are well done and the instructions are clear.

The author covers both acid dyes (silk- protein fibers) and fiber reactive dyes (cotton, cellulosic fibers) but sort of jumps around alternating techniques in silk and cotton. The author never goes into detail about the dyes just sort of gives this weird general information..so she might talk about illuminating dyes but only for silk...which leaves you wondering if there is an equivalent for cotton. She really focuses on the resists-- so if you have never dyed fabric before this book will not give you much technical information by way of ratios and recipes, but you can easily find those things online.

The author/publishers were trying to hit all the marks for the average hobbyist but it just sort of grazes them instead. I learned a few things I did not know such as capping with cellophane (can't find the book right now i'm going from memory) but I honestly wish I had just spent the extra money to get the more serious books. I certainly didn't get any real tips on what might go wrong in a project-- you would have no idea what happened if you did stitched shibori and lost your design-- which happens! Qualities of dye and cloth, working with thickened dye are all things that would have been great if she had gone in to just a LITTLE bit of detail about. So I can't really recommend the book if you are looking for serious technical information.

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Senin, 03 Februari 2014

[W717.Ebook] Fee Download The Secret of Certavus (Bionicle Growing Reader, Level 3), by Greg Farshtey

Fee Download The Secret of Certavus (Bionicle Growing Reader, Level 3), by Greg Farshtey

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The Secret of Certavus (Bionicle Growing Reader, Level 3), by Greg Farshtey

The Secret of Certavus (Bionicle Growing Reader, Level 3), by Greg Farshtey



The Secret of Certavus (Bionicle Growing Reader, Level 3), by Greg Farshtey

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The Secret of Certavus (Bionicle Growing Reader, Level 3), by Greg Farshtey

LEGO'S most successful property -- now in books for younger fans!

The Glatorian Vastus has always been a fighter who believes that being a fighter is really about is having the best moves, being the fastest, being the most agile or knowing the best tricks. Then he goes on a search for a legendary scroll.

Along the way he encounters moments where his tricks aren't enough, and he begins to doubt himself. But when he finds the scroll, he discovers that it does contain a secret on it -- and it is that the best fighter is the one with the courage to keep going even when his skills desert him. Vastus heads back to his village, wiser for the adventure.

  • Sales Rank: #1748934 in Books
  • Published on: 2009-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x .25" l, .15 pounds
  • Binding: Paperback
  • 32 pages

About the Author
Greg Farshtey is the author of over 40 novels and graphic novels, as well as the long-running BIONICLE(R) series and the animated BIONICLE: The Legend Reborn film. He has worked as a journalist, copywriter, and designer and is currently employed as Editorial Director for the LEGO Club. When he is not writing, Greg is usually playing with his baby daughter. He lives in Connecticut.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Excellent
By DBS - Chicago
I bought this book along with "Desert of Danger" and "The Challenge of Mata Nui" for my son who was very interested in the Bionicles and we wanted to learn more but I did not believe the movie would be appropriate so I bought these. Reading is better than watching. These three books are like old Greek lessons with excellent messages about personal control, perseverance, determination, patience and respect, of yourself and others. Hard to believe but true. All the lead characters are nice and have something to learn and overcome. No one is really hurt, no one dies and the "bad guys" are robot/monsters. Is there some "fighting", of course, these are warrior heroes and boys just like fighting and beating bad guys. We discuss the lessons that the hero learned. In this one it's about where a warrior's real strength lies and the answer is, In your BRAIN!!! It tells the kids that the best "fighters" are thinkers!! That's a good message. Can't recommend them enough. Old fashion message but in a modern context that appeals to todays boys. Depending on your child, appropriate for 4 and up.

1 of 1 people found the following review helpful.
My son loved it.
By Rob Blomquist
My son loves to play with Bionacles and was thrilled to get this book. While it was being read to him (he's 7) he listened in rapt attention, even thanking me when the book was finished.

0 of 0 people found the following review helpful.
Perfect for a boy
By Ricki D.
my son loved it!

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