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Introduction to Rock Art Research, Second Edition, by David S Whitley
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First published in 2005, this brief introduction to methods of studying rock art has become the standard text for courses on this topic. It was also selected as a Choice Magazine Outstanding Academic Book in 2005. Internationally-known rock art researcher David Whitley takes the reader through the various processes needed to document, interpret, and preserve this fragile category of artifact. Using examples from around the globe, he offers a comprehensive guide to rock art studies of value to archaeologists and art historians, their students, and rock art aficionados. The second edition of this classic work has additional material on mapping sites, ethnographic analogy, neuropsychological models, and Native American consultation.
- Sales Rank: #1205410 in Books
- Published on: 2011-02-03
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .70" w x 6.00" l, .92 pounds
- Binding: Paperback
- 256 pages
Review
"Renowned rock art scholar and director of a major contract archaeology firm, Whitley provides the first textbook-level introduction to rock art research as a mainstream specialty in anthropological archaeology. Whitley writes in a very accessible and engaging style, but provides sufficient detail where appropriate. He covers the entire range of rock art research, including fieldwork, dating, interpretation, management, and conservation. He also provides a very useful glossary and a comprehensive bibliography. This volume is highly recommended not only for students and the general public learning about rock art research for the first time, but also for faculty and other specialists seeking an authoritative update on this rapidly maturing specialty. While the coverage is similar, libraries that own Whitley's much more technical edited volume Handbook of Rock Art Research would be well advised to add this new volume to their collections. Summing Up: Essential. All levels/libraries"
—CHOICE
"This new book by David Whitley is hugely readable by anybody interested in rock art, whether they be students, beginners, enthusiasts or seasoned professionals. His long experience doing field work, teaching and thinking about the ins and outs of research (not necessarily in that order!) has enabled him to produce a well-balanced extremely useful book."
—Jean Clottes, French Ministry of Culture
"David Whitley has written a wonderfully pragmatic book that places rock art studies in the mainstream of the rapidly changing archaeological world. This important guide is essential reading for both academic archaeologists and anyone concerned with heritage and site conservation. Strongly recommended as a fine starting point for student and professional alike."
—Brian Fagan, Emeritus Professor of Anthropology, University of California Santa Barbara
"A basic, clearly written introduction to rock art research which advocates an integrated approach that involves much more than fieldwork."
—Oxbow Newsletter
"Formerly trivialized as ancient grafitti, rock art is now recognized as an important part of ancient cultures. This volume is a much-needed step in bringing it into the scholarly mainstream." —American Archaeology
About the Author
David S. Whitley is one of the world’s leading experts on rock art. Whitley works in contract archaeology for ASM Affiliates. He has published extensively on rock art both at an academic and more popular level. His key books on this topic include Cave Paintings and the Human Spirit and Handbook of Rock Art Research. Whitley has done field work in the U.S., Guatemala, France, and South Africa, and has taught at the University of Witwatersrand and UCLA.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Intro to Rock Art Research
By Diwiyana
This is a good basic text on the subject of researching rock art. It includes 10 chapters, giving a concise introduction, describing the nature of fieldwork, classification, dating methods, scientific analysis, as well as types of interpretations. These include symbolic and ethnographic interpretation, as well as the recently popular neuropsychological theory. Other chapters focus on conservation and the relationships among archeology, anthropology, and rock art. An appendix includes recording forms for fieldworkers. Readers who want something mystical and magical will not find it here. Serious students of rock art will find an excellent introduction to the field.
11 of 12 people found the following review helpful.
The Best Rock Art Introductory Book
By Ronald Dorn
Dr. Whitley is one of the top three specialists in rock art research in the world today. His scholarly record of top-notch scholarship spans three continents and includes ground-breaking perceptual advances. He pulled together and edited the 2000 capstone book "The Handbook of Rock Art Research" - the standard by which all other future compilations must be judged.
The problem was that introductory rock art students would find "The Handbook" a bit too intimidating. Little existed for those who want to go beyond being a photographer of rock art and start down the road towards contributing to our scholarly knowledge of these priceless insights into past minds. Instructors from the community college on up teaching the basics of rock art research were left to cobble together a series of articles and picture books, ending up with an unsatisfying set of readings.
This book solves the problem of an individual wanting to explore the scholarly study of rock art. Dr. Whitley explains in clear language the state of the art of research into rock art. This book is perfect for anybody who has wondered, "What can be done with these amazing images of the past". Dr. Whitley provides the reader a concise and readable way to understand that a tremendous amount of research is possible. So this book is for the regular person who has taken the time to stop on a road trip and wonder about past visitors to a site.
The reader will receive a wonderful introduction to rock art, come to grasp the importance of field work in rock art reserach, be introduced to classification methods, dating methods, scientific analysis methods, how to interpret symbolic and enthnographic elements, and even link rock art to how our minds are constructed at a neurophysiological level. Most importantly, the book turns to management and conservation of this cultural resource that we are losing in bits and pieces every day.
Even though this book is written well enough for someone "new" to rock art to understand the field, this book is also a must for professional archaeologists. This is because rock art is a field long overlooked by archaeologists. Archaeologists older than about 30 years were taught in classes that "nothing could be done" with rock art. Dr. Whitley's book indicates that such statements reveal the lack of scholarship of the speaker. For any archaeologist who simultaneously claims to be a scholar and also questions the relevance of rock art for the student of past peoples, Dr. Whitley's book is a must read. Or the general public will quickly come to the opinion that the "professionals" are so stuck in their old ways that they have become the relicts that they study.
So if you love the pictures and want to learn more, or if you are an out-of-date professional and don't want to be caught being the fool, read this book!
6 of 6 people found the following review helpful.
Rock Art 101
By David Jenkins
Whitley does a good job writing an introduction book on rock art. He gives examples from all over the world including California, South Africa, and France. He writes about ethnographic interpretation as well as the neuropsychological approach to rock art and shamanism.
Whitley includes a short glossary at the end of the book and a very helpful list of references. The "list" is almost 30 pages long.
About the only thing wrong with the book is that there are not as many photographs as I had expect for a book on this kind of topic. Whitley could have included more photographs of the rock art he wrote so well about.
I recommend this book to any aspiring rock art researcher (like myself)
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